Mangak are usually not involved in the production of their works cartoonbut there are a few story The creators were heavily involved in the creation of their anime. When manga is adapted into anime, the original mangaka tends not to be involved in the production process beyond a very small number of areas. For example, Fullmetal Alchemist’s Hiromu Arakawa allowed Bones to deviate from the manga with its first adaptation, and the mangaka will often design original characters for the film and spin-offs, but rarely has one creator fully involved. entirely into creating their anime.
However, although rare, there are still times when a mangaka has helped them in the production of their anime. Every example shows the original manga creators helping create their anime in some way, whether it’s by writing the script or being fully involved in the overall production process. Of course, that means some mangakas have more involvement than others, but either way, the quality of each anime is definitely enhanced by the original creator’s contributions.
ten Takehiko Inoue – Slam Dunk
The first example of a mangaka who helped create their anime is a fairly recent one: Takehiko Inoue’s Slam Dunk. Decades after the manga ended, Inoue returned to the series to write and direct the new film, The First Slam Dunk, and it not only vividly recreates the manga’s ending, but does so with the incredible style that made the series so popular. the film stands out as one of the year’s best. Inoue has earned a reputation as one of manga’s biggest names and it’s clear that he’s been able to bring his talents to bear as a director with The First Slam Dunk.
9 Katsuhiro Otomo – Akira
Another example of a mangaka that helped create their anime is Katsuhiro Otomo with the ’80s classic Akira. Katsuhiro Otomo is famous for writing and directing the film adaptation of his manga, and although the original manga was not completed at the time, he still managed to create a film with a plot and visuals. amazingly consistent and still highly regarded for over 30 years. Later. Otomo is also said to be collaborating with Sunrise on a new Akira anime, and if he has the same level of involvement as he did with the film, it will likely be just as impressive, if not more so. is more than that.
8 Cardcaptor Sakura – CLAMP
CLAMP is one of the biggest names in manga and they are also known to contribute to adaptations of their various manga series, most notably Cardcaptor Sakura. Writer and team leader Nanase Ohkawa is one of the main writers for the anime and wrote 53 of the series’ 70 episodes, and the main artist, Mokona, also helped design anime-specific costumes and Clow Cards . Ohkawa also assisted on the sequel, Cardcaptor Sakura: Clear Card, where she authored every episode and that will continue for the recently announced season 2. Cardcaptor Sakura is an extremely iconic anime and CLAMP’s deep involvement certainly played a major role. most of it.
While Shoji Gatoh had no notable involvement in the production of the original Full Metal Panic! anime, the same cannot be said for works that follow the original anime. Gatoh wrote the spin-off series Full Metal Panic? Fumoffu, which takes the novel’s humorous side stories and expands them into a quirky and notable parody is also the first anime produced by Kyoto Animation. Gatoh also wrote seasons 2 and 3, both of which are more classic than Fumoffu, but regardless of the content, every show he’s been involved with has a level of care in its execution, which is certainly thanks to into his writing style.
6 Hayao Miyazaki – Nausicaä of the Valley of the Winds
Hayao Miyazaki’s Nausicaä of the Valley of the Wind is one of Studio Ghibli’s most famous films, but what many people may not know is that it is based on a manga also created by Miyazaki. Since there were only 16 chapters written when the film was made, Nausicaä of the Valley of the Wind cut a lot of content from the manga and recreated a lot of Miyazaki’s ideas, a major example being the use of War. giant army. The film still holds up today and it works so well when it has so little to do as nothing more than a testament to Miyazaki’s abilities.
5 Kazuki Takahashi – Yu-Gi-Oh!
Kazuki Takahashi has always been deeply involved in Yu-Gi-Oh! beyond the original manga, and that extends to his work with anime. To celebrate the manga’s 20th anniversary, Takahashi wrote Yu-Gi-Oh! The Dark Side of Dimensions, a film set in the continuity of the original manga, and it serves as an excellent conclusion to the manga, providing much-needed closure to Yugi and Kaiba’s character arcs. This is Yu-Gi-Oh! The last story Takahashi would write before his tragic death in 2022, and with that in mind, it’s great that he was able to return to Yu-Gi-Oh! in such a big way for the last time.
4 Tite Kubo – Bleach: The thousand-year war of blood
The announcement that the Bleach anime would finally end with Bleach: Thousand-Year Blood War received a lot of positive feedback, and much of that stemmed from the announcement of Tite Kubo’s involvement. Kubo notably had full supervision over the production of The Thousand Year Blood War, so in addition to quality control, he made sure the anime included things he didn’t have time for in the original manga like Unohana and Shinji’s Bankai and a deeper exploration of the legend of the Soul King. Under Kubo’s supervision, Bleach: Thousand-Year Blood War was the ideal way to experience the final season of Bleach, and fans and critics alike reacted to it accordingly.
3 Masashi Kishimoto – Naruto
Even though the Naruto manga ended in 2014, Masashi Kishimoto is still heavily involved in the anime side of the series. Not long after the manga ended, the series received an epilogue through The Last: Naruto the Movie, written by Kishimoto himself, and a year later, he wrote the sequel Naruto Boruto: Naruto the Movie, the final story will form the basis of this story. for Boruto: Naruto Next Generation. Everything from Naruto’s later stages onwards isn’t without its faults, but at the very least, it’s great that Kishimoto has expanded his involvement across so many areas of the series.
2 Eiichiro Oda – One Piece
Eiichiro Oda is the mangaka behind the legendary manga One Piece, but his involvement with the series doesn’t stop there. Since 2009, Oda has been involved in producing each new One Piece movie; Oda was the executive producer for One Piece Film: Z, One Piece Film: Gold and One Piece: Stampede, oversaw the story of One Piece Film: Red, and completely wrote the script for One Piece Film: Strong World. Every One Piece movie starring Oda has been one of the best in the franchise for easily capturing the spirit of the original manga, so it would be great if that continues in the future .
first Akira Toriyama – Dragon Ball
The last notable example of a mangaka helping to animate their work is Akira Toriyama with the legendary manga Dragon Ball. After the critical and commercial failure of Dragonball Evolution, Toriyama, who also hated it, returned to the franchise with Dragon Ball Z: Battle of Gods. This led to the series continuing with Dragon Ball Super, which Toriyama maintained so much involvement that he wrote two more films: Dragon Ball Super: Broly and Dragon Ball Super: Super Hero. Over the past decade, Dragon Ball has thrived on its animated content, and that wouldn’t have happened without Toriyama’s return to the franchise.
Having a great staff is paramount to making a great anime series, and as the examples here show, sometimes that comes from having the original manga author involved. Whether it’s from joint supervision or full involvement in the production, every anime listed here features the original manga author’s involvement and that allows them to ensure quality work. The success of their manga isn’t just transferred to production. cartoon. ONE cartoon there is no need for an original creator story participate to succeed, but the fact that these and others certainly speak volumes.
Source: Comicbook.com.
